How does memory work? (Another excerpt from my 1st draft)

This is a bit of a strange one but I thought I’d share it anyway. To (very) briefly explain –  at the heart of my story are questions about memory, and how our memories of life experiences affect who we are and how we behave. With that in mind…

 

It’s believed that our long-term memory comes in three flavours:
Episodic, Procedural and Semantic.

Your first kiss,
The best meal you’ve ever eaten,
Attending your daughter’s graduation,
Episodic memory covers the massive accumulation,
Of life experiences that are unique to you,
Things that have happened at a specific time,
At a specific venue.

Procedural memory comprises those skills,
That have been learnt,
But that we perform so effortlessly that it appears we weren’t,
Conscious of learning them in the first place,
Like riding a bike or tying a shoe lace.

And semantic memory is all about remembering factual information,
Such as capital cities or multiplication,
Often the sort of stuff you learn at school,
Right down to the most basic cognition:
That a cat is an animal and a hammer is a tool.

Readers’ Recommendations; “Primer”

Fogs kindly asked me to write about a movie he should see… so I did…

Fogs' Movie Reviews

primerHey everyone, it’s Friday, time for another entry in the Reader Recommendations series!

The Reader Recommendation series is intended to help me formally pursue all the great films that commenters bring up each week in discussion which I’ve never seen. If there’s a movie that comes up that I haven’t seen, but you think I should, email me @ fogsmoviereviews@gmail.com or let me know in the comments that you’d like to participate!

MNelkinThis time up, our recommendation comes from Mark Nelkin of Beautiful Orange. Mark has recommended Shane Carruth’s “Primer”, a film that has gotten no small amount of buzz in the blogosphere, and one I’ve been waiting to check out for a while!

Click through to see what we had to say!

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Stuff that inspires me: #4 Beasts of the Southern Wild

At the start of this week I went for a job interview. The final question put to me wasn’t exactly what I was expecting: what was the best film I’d seen in the last year? I didn’t pause; I didn’t have to think; it was an easy choice. Beasts of the Southern Wild is actually the best film I’ve seen in a few years.

Miraculous and magical are the words that most readily come to mind. I’m guilty of over-using the phrase ‘like poetry on the screen’ for movies that I love but, in this case, I think it’s absolutely justified.

The setting is the fictional community of The Bathtub, which is clearly a hall-of-mirrors reflection of the population that lived on the edge of New Orleans during the floods. It’s a bleak, derelict, backwards corner of society and is home to the tough-as-nails Hushpuppy, who survives in a mystical world that exists largely in her own head, and her dad, Wink. As they struggle to survive, we become as intimate with nature and as confused about the boundaries between reality and fantasy as Hushpuppy – but the film is never anything but brilliant and beautiful. And despite having a dream-like quality, it feels grounded and authentic thanks to it’s stunning novice cast.

Everything comes together here. The soundtrack (by Dan Romer and director, Benh Zeitlin) reflects and drives the film. Whenever I now listen to it, wherever I am, I’m transported to a different place… back to Hushpuppy’s world.

This film is touched by genius and I’d urge everyone to see it.

(Go on, click above for the trailer)

Responsibility

One morning,
The sun forgot to get out of bed.
His alarm didn’t wake him,
And the moon didn’t call by on her way home.
So it was dark,
For a very long time,
Indeed.

But then the sun,
Became lazy.
His bed was so comfortable,
And it did him no harm,
To rest for a while.
And so it was dark,
For longer,
Indeed.

Come on,
Said the moon,
I know we all forget things as we get older,
But the Earth is getting so much colder.

Enough,
Said the people.
We like the moon,
We really do,
But without your warm glow,
We’re feeling kinda blue.

Yawn,
Said the sun.
All I can hear is your damned whining,
But my pillow’s plumped,
The sheets are soft,
And this star ain’t for shining.

But the moon,
Was now working over-time.
To be honest,
She was pretty annoyed,
That the sun didn’t come.
So the moon quit too.
And it was dark,
Forever,
Indeed.

You know when a song gets stuck in your head…?

19th May     Losing My Religion

21st May     Hello

22nd May     Son of a Preacher man

23rd May     They Built This City on Rock ‘n Roll

25th May     A Little Less Conversation

27th May     Hit The Road Jack

28th May     A Hard Day’s Night

30th May     Cats in the Cradle

31st May     Just Can’t Get Enough

4th June     I Wanna Dance With Somebody

Morning after/Night before (another excerpt from my first draft)

Cold, dry air,
On hot, damp skin,
Mingled smells,
Of cigarettes and gin,
Clothes fighting,
Against being removed,
Two bodies,
Writhing and pressed,
And drunk and unrepressed,
Eros unmoved.
The morning after,
No romance,
Stilted conversation,
Awkward glance,
Hurried dressing,
Dried sweat smell,
Sheepish goodbyes,
Just as well.

Authors who look like their writing: #5 Will Self

13_will_self

This edition of the series was nominated by Mame from http://writemybrainsout.wordpress.com/I’m always up for taking suggestions so please shout if you want to nominate an author to be featured.

“What excites me is to disturb the reader’s fundamental assumptions.”

– Will Self

When I lived in Stockwell (South London) I would often pass Will Self, cycling with his kids, as I made my way to the Tube station on the way to work. Self is one of those ‘famous’ people who I could feel proud about living round the corner from. If he lived there, then it was clearly an area fit for creative types who bucked against the establishment and forged their own unique path. In addition, his writing gave the impression that he might just be a little unhinged. Excellent. Yes, this is someone I was happy to share a neighbourhood with.

He’d be so happy to know that.

But it’s the writing that makes the man – and I do believe he exudes the way in which he writes. He takes the everyday and twists it. He perverts it. He exaggerates the absurd and often ties it up in fantastical and surreal worlds. He’ll satirise pretty much anything and he’s happy to make you squirm. And that’s an author I want to read.

I’m off to the Hay Festival…

2013-portal-ticketsonsale

So, yes, this is about as middle-aged and middle-class as my life has now become. In the past, it was all about music festivals; sleeping in a muddy field in a cheap tent; spending 3 days drunk or stoned or both; jumping up and down with 30,000 other people to loud music; getting no sleep.

But now, I’m about to head off to a literature festival. And you know what? It’s brilliant and I’m not ashamed at all… there’s the rest of the summer for teenage fun… for now I’m hanging with the grown-ups. I’ve been to the Hay Festival before and it’s awesome. I think it’s probably the premier literary festival in the world, and set in the quintessential pretty british village too.

My 4 days will include talks and readings by John McCarthy (who was held hostage in Lebanon for 5 years), Carl Bernstein (Mr Watergate), Hans Blix (Mr weapons of mass destruction), and Stella Rimington (the former Head of MI5). And I haven’t even mentioned the fiction writers.

So, I’m off to sip tea and wine. See you on the other side…

Stuff that inspires me: #3 Apocalypse Now and 2001: A Space Odyssey

2001 apaocalypse

I always adored movies as a kid – from Dumbo to Mary Poppins (still one of my all-time favs!), from Ferris Bueller to Rocky… but it was seeing Apocalypse Now and 2001: A Space Odyssey in the space of a month when I was 15 years old that changed the way I looked at films forever. My first proper film crushes!

To be honest, I didn’t entirely understand either film at the time. When I watched both again a couple of years later they opened themselves up to me (a bit). But at 15… they were beautiful… no, somewhere far beyond beautiful. Poetry on the screen. They were epic in every way. They did more than just go from A to B to C: they communicated some sort of profound meaning and story that I couldn’t quite grasp but that felt really, really important. I think the fact that I felt I was missing something definitely helped me to become completely consumed by them – I mean, we all want to feel as if we’re appreciating something slightly above our heads, right? Especially as teenagers.

2001 is a story about the evolution of humankind via a black, alien monolith that we are first introduced to at The Dawn of Man, as it’s appearance on earth seems to stimulate apes to use tools and weapons. The rest of the movie essentially follows mankind’s quest to understand it’s own origins and future through a search for the origin of the monolith. It’s gripping and tense and exciting – but rather than creating thrills or relateable characters, it is primarily focussed on being quiet and patient and intent on filling us with wonder. Yeah, wow-erama.

monyage

Apocalypse Now, set during the Vietnam war (but very far from a typical war film), is about a mission of one soldier (Willard) down a river to hunt down a decorated war hero (Kurtz) who has ‘gone native’ and may have caused horrific atrocities. Behind this framework, it is a story about the reality of war – the horror – not so much about Willard finding Kurtz, but discovering what Kurtz himself discovered. It is dark but beautiful, operatic and horrific, and it reaches in to some very dark places of the human soul.

However, it wasn’t just that I was young that made me love these films. The directors, Stanley Kubrick and Francis Ford Coppola, were ahead of the rest of the world with what they were putting on screen. It is genuinely impossible for me to pull out favourite scenes from either film because pretty much every scene in each is a classic. The imagination and the skill required to make art like this is almost beyond my comprehension. Big love. Big, big love for these movies being awesome and showing me the very limits of what cinema can do. I’m not sure that either has ever been matched.

Abstract rant (another excerpt from my first draft)

This makes little sense out of context. However, it makes only a little more sense in context…

Words,
Can’t find,
When it’s correct.

Murmur,
Cry,
Windows,
Over me,
Through me,
Can’t see,
Call me,
Claw me,
Forget me,
Judge me,
Don’t.

Indirect,
Perhaps,
Betrayal,
No return,
Perhaps,
Accusation,
Kiss and tell,
Not to me,
About,
Choice,
Top drawer,
Always,
Expectation,
Release.

Listen,
Trust me,
Retain,
Plug it,
File it,
Trust me,
Never.